{"id":92326,"date":"2023-11-13T00:00:00","date_gmt":"2023-11-12T23:00:00","guid":{"rendered":"http:\/\/www.presos.org.es\/?p=92326"},"modified":"2023-11-13T06:26:57","modified_gmt":"2023-11-13T05:26:57","slug":"laminas-martillazo-p-s-kroyer-dacre-f-boulton-a-henderson-hall-antipas-delotavo-clare-allan-nicolae-prisac","status":"publish","type":"post","link":"http:\/\/www.presos.org.es\/index.php\/2023\/11\/13\/laminas-martillazo-p-s-kroyer-dacre-f-boulton-a-henderson-hall-antipas-delotavo-clare-allan-nicolae-prisac\/","title":{"rendered":"L\u00e1minas martillazo: P.S. Kr\u00f8yer; Dacre F. Boulton; A. Henderson Hall; Antipas Delotavo; Clare Allan; Nicolae Prisac \/ Pel\u00edcula imprescindible: \u00abNovecento\u00bb."},"content":{"rendered":"\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img decoding=\"async\" src=\"http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/11\/nino-en-la-forja.jpg\" alt=\"\" class=\"wp-image-92329\" width=\"500\" srcset=\"http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/11\/nino-en-la-forja.jpg 1024w, http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/11\/nino-en-la-forja-300x238.jpg 300w, http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/11\/nino-en-la-forja-768x611.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Cuadro. Ni\u00f1o trabajando en una forja.<\/figcaption><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color wp-block-paragraph\" style=\"font-size:clamp(16.834px, 1.052rem + ((1vw - 3.2px) * 1.007), 26px);\"><strong>L\u00e1minas martillazo:<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\" style=\"font-size:clamp(14.642px, 0.915rem + ((1vw - 3.2px) * 0.809), 22px);\"><strong>-Peder Severin Kr\u00f8yer (Noruega-Dinamarca, 1851-1909)<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-medium-font-size wp-block-paragraph\"><strong>* Ni\u00f1o en la forja (1877)<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img decoding=\"async\" src=\"http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/11\/habla-burgues-trabajan-forja.jpg\" alt=\"\" class=\"wp-image-92333\" width=\"450\" srcset=\"http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/11\/habla-burgues-trabajan-forja.jpg 900w, http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/11\/habla-burgues-trabajan-forja-300x202.jpg 300w, http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/11\/habla-burgues-trabajan-forja-768x518.jpg 768w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">Trabajadores en la colada de metal, burgu\u00e9s les habla.<\/figcaption><\/figure>\n\n\n\n<p class=\"has-black-color has-text-color has-medium-font-size wp-block-paragraph\"><strong>* \u00a1Escuchad obreros!<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.22), 16px);\"><strong>Ante los obreros en la caldera de metal, el burgu\u00e9s les habla desde arriba.<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img decoding=\"async\" src=\"http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/11\/limpiadoras-de-pescado.jpg\" alt=\"\" class=\"wp-image-92331\" width=\"450\" srcset=\"http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/11\/limpiadoras-de-pescado.jpg 744w, http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/11\/limpiadoras-de-pescado-300x228.jpg 300w\" sizes=\"(max-width: 744px) 100vw, 744px\" \/><figcaption class=\"wp-element-caption\">Cuadro. Cadena de limpieza de pescado.<\/figcaption><\/figure>\n\n\n\n<p class=\"has-black-color has-text-color has-medium-font-size wp-block-paragraph\"><strong>* Limpiadoras de pescado<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img decoding=\"async\" src=\"http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/11\/al-trabajo-1024x826.jpg\" alt=\"\" class=\"wp-image-92338\" width=\"450\" srcset=\"http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/11\/al-trabajo-1024x826.jpg 1024w, http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/11\/al-trabajo-300x242.jpg 300w, http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/11\/al-trabajo-768x619.jpg 768w, http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/11\/al-trabajo-1536x1238.jpg 1536w, http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/11\/al-trabajo.jpg 1600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Cuadro. Grupo de trabajadores se encaminan al tajo.<\/figcaption><\/figure>\n\n\n\n<p class=\"has-black-color has-text-color has-medium-font-size wp-block-paragraph\"><strong>* Al trabajo<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img decoding=\"async\" src=\"http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/11\/escena-cotidiana.jpg\" alt=\"\" class=\"wp-image-92334\" width=\"350\" srcset=\"http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/11\/escena-cotidiana.jpg 774w, http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/11\/escena-cotidiana-227x300.jpg 227w, http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/11\/escena-cotidiana-768x1015.jpg 768w\" sizes=\"(max-width: 774px) 100vw, 774px\" \/><figcaption class=\"wp-element-caption\">La pobreza de una familia.<\/figcaption><\/figure>\n\n\n\n<p class=\"has-black-color has-text-color has-medium-font-size wp-block-paragraph\"><strong>* Escena cotidiana. <\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.22), 16px);\"><strong>El sol por un ventanuco, padre y dos ni\u00f1os en torno a un tronco que hace de mesa.<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img decoding=\"async\" src=\"http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/11\/industrial-1024x682.jpeg\" alt=\"\" class=\"wp-image-92332\" width=\"450\" srcset=\"http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/11\/industrial-1024x682.jpeg 1024w, http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/11\/industrial-300x200.jpeg 300w, http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/11\/industrial-768x511.jpeg 768w, http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/11\/industrial.jpeg 1400w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Los trabajadores laboran, los industriales miran.<\/figcaption><\/figure>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\" style=\"font-size:clamp(14.642px, 0.915rem + ((1vw - 3.2px) * 0.809), 22px);\"><strong>-Dacre F. Boulton (Canad\u00e1 1906-1984)<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-medium-font-size wp-block-paragraph\"><strong>* \u201cIndustrial\u201d. (1934)<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img decoding=\"async\" src=\"http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/11\/mujer-cansada.jpg\" alt=\"\" class=\"wp-image-92330\" width=\"450\" srcset=\"http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/11\/mujer-cansada.jpg 1000w, http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/11\/mujer-cansada-300x182.jpg 300w, http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/11\/mujer-cansada-768x466.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">Trabajadora, de rodillas limpiando el suelo, agotada.<\/figcaption><\/figure>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\" style=\"font-size:clamp(14.642px, 0.915rem + ((1vw - 3.2px) * 0.809), 22px);\"><strong>-Arthur Henderson Hall (Inglaterra 1906 \u2013 1982).<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-medium-font-size wp-block-paragraph\"><strong>* \u00abMujer cansada\u00bb.<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img decoding=\"async\" src=\"http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/11\/delotavo.jpg\" alt=\"\" class=\"wp-image-92335\" width=\"360\" srcset=\"http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/11\/delotavo.jpg 682w, http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/11\/delotavo-237x300.jpg 237w\" sizes=\"(max-width: 682px) 100vw, 682px\" \/><figcaption class=\"wp-element-caption\">En 1er plano, mujeres recogiendo arroz, de fondo, una enorme f\u00e1brica.<\/figcaption><\/figure>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\" style=\"font-size:clamp(14.642px, 0.915rem + ((1vw - 3.2px) * 0.809), 22px);\"><strong>-Antipas Delotavo (Filipinas, 1954)<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-medium-font-size wp-block-paragraph\"><strong>* El arroz y la f\u00e1brica<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img decoding=\"async\" src=\"http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/11\/ninos-de-la-calle.jpg\" alt=\"\" class=\"wp-image-92328\" width=\"430\" srcset=\"http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/11\/ninos-de-la-calle.jpg 750w, http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/11\/ninos-de-la-calle-300x300.jpg 300w, http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/11\/ninos-de-la-calle-150x150.jpg 150w\" sizes=\"(max-width: 750px) 100vw, 750px\" \/><figcaption class=\"wp-element-caption\">En torno a ni\u00f1os de la calle, drogas y armas<\/figcaption><\/figure>\n\n\n\n<p class=\"has-black-color has-text-color has-medium-font-size wp-block-paragraph\"><strong>* Ni\u00f1os de la calle<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img decoding=\"async\" src=\"http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/11\/tiempo-dinero.jpg\" alt=\"\" class=\"wp-image-92327\" width=\"400\" srcset=\"http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/11\/tiempo-dinero.jpg 843w, http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/11\/tiempo-dinero-300x297.jpg 300w, http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/11\/tiempo-dinero-768x760.jpg 768w\" sizes=\"(max-width: 843px) 100vw, 843px\" \/><figcaption class=\"wp-element-caption\">Cuadro. Multitud de relojes, abajo monedas.<\/figcaption><\/figure>\n\n\n\n<p class=\"has-black-color has-text-color has-medium-font-size wp-block-paragraph\"><strong>* Tiempo por dinero.<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img decoding=\"async\" src=\"http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/11\/clare-allan.jpg\" alt=\"\" class=\"wp-image-92336\" width=\"400\" srcset=\"http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/11\/clare-allan.jpg 940w, http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/11\/clare-allan-291x300.jpg 291w, http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/11\/clare-allan-768x792.jpg 768w\" sizes=\"(max-width: 940px) 100vw, 940px\" \/><figcaption class=\"wp-element-caption\">Trabajadores van de noche a trabajar.<\/figcaption><\/figure>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\" style=\"font-size:clamp(14.642px, 0.915rem + ((1vw - 3.2px) * 0.809), 22px);\"><strong>-Clare Allan (artista contempor\u00e1nea brit\u00e1nica)<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-medium-font-size wp-block-paragraph\"><strong>* \u201cEl turno de noche\u201d<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/11\/cansado.jpg\" alt=\"\" class=\"wp-image-92337\" width=\"400\" height=\"466\"\/><figcaption class=\"wp-element-caption\">Obrero, agotado.<\/figcaption><\/figure>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\" style=\"font-size:clamp(14.642px, 0.915rem + ((1vw - 3.2px) * 0.809), 22px);\"><strong>-Nicolae Prisac (artista y pintor contempor\u00e1neo rumano)<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-medium-font-size wp-block-paragraph\"><strong>* \u00abCansado. El trabajador que duerme\u00bb.<\/strong><\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#941b1b;font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.22), 16px);\"><strong>Selecci\u00f3n de Fuat Filizler<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/11\/Novecento-683x1024.jpg\" alt=\"\" class=\"wp-image-92404\" width=\"350\" height=\"512\"\/><figcaption class=\"wp-element-caption\">Cartel de la pel\u00edcula Novecento.<\/figcaption><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color wp-block-paragraph\" style=\"font-size:clamp(16.834px, 1.052rem + ((1vw - 3.2px) * 1.007), 26px);\"><strong>Pel\u00edculas imprescindibles:<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\" style=\"font-size:clamp(14.642px, 0.915rem + ((1vw - 3.2px) * 0.809), 22px);\"><strong>-Novecento:<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.22), 16px);\"><strong>En esta obra maestra de Bertolucci, se realiza un repaso de la historia de Italia de principios del siglo XX, donde se aprecia el desarrollo del socialismo italiano mientras que los opresores crean y alimentan el fascismo como forma de combatir el desarrollo revolucionario.<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\"><strong>Bertolucci divide su obra, de 5 horas de metraje, en dos actos. En el primer acto lo primero que observamos es el fin del per\u00edodo fascista, 25 de abril de 1945. Luego se retroceder\u00e1 44 a\u00f1os, al d\u00eda del nacimiento de dos ni\u00f1os en 1901, uno ser\u00e1 Depardieu (el campesino) el otro ser\u00e1 De Niro (el rico), que entablar\u00e1n una curiosa relaci\u00f3n, cosa que ser\u00e1 de gran importancia para el desarrollo del filme. Incre\u00edble la forma de Bertollucci de mostrarnos las miserias de los campesinos, el caciquismo imperante, el anhelo del pueblo por el socialismo y como se germina las semilla del fascismo. Este primer acto dejar\u00e1 recuerdos imborrables, esos cantos, esos viejos aprendiendo a leer, ese esp\u00edritu tan lleno de ilusi\u00f3n y esperanza.<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\"><strong>En el segundo acto podremos ver como maduran nuestros dos protagonistas, como se afianza el fascismo ante los ojos de los nuevos patrones y como se acumula el odio hacia los fascistas, encarnados en Sutherland y su mujer.<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size wp-block-paragraph\"><strong>&#8211;<a href=\"https:\/\/www.tokyvideo.com\/es\/video\/novecento-1976-bernardo-bertolucci\">https:\/\/www.tokyvideo.com\/es\/video\/novecento-1976-bernardo-bertolucci<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#a21717;font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.11), 15px);\"><strong>Selecci\u00f3n Alex. G.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>L\u00e1minas martillazo: -Peder Severin Kr\u00f8yer (Noruega-Dinamarca, 1851-1909) * Ni\u00f1o en la forja (1877) * \u00a1Escuchad obreros! Ante los obreros en la caldera de metal, el burgu\u00e9s les habla desde arriba. &#8230;<\/p>\n","protected":false},"author":5,"featured_media":92330,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[92],"tags":[123,131,126],"class_list":["post-92326","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura","tag-denuncias","tag-difusion","tag-lucha-obrera"],"_links":{"self":[{"href":"http:\/\/www.presos.org.es\/index.php\/wp-json\/wp\/v2\/posts\/92326","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.presos.org.es\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.presos.org.es\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.presos.org.es\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"http:\/\/www.presos.org.es\/index.php\/wp-json\/wp\/v2\/comments?post=92326"}],"version-history":[{"count":4,"href":"http:\/\/www.presos.org.es\/index.php\/wp-json\/wp\/v2\/posts\/92326\/revisions"}],"predecessor-version":[{"id":92634,"href":"http:\/\/www.presos.org.es\/index.php\/wp-json\/wp\/v2\/posts\/92326\/revisions\/92634"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.presos.org.es\/index.php\/wp-json\/wp\/v2\/media\/92330"}],"wp:attachment":[{"href":"http:\/\/www.presos.org.es\/index.php\/wp-json\/wp\/v2\/media?parent=92326"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.presos.org.es\/index.php\/wp-json\/wp\/v2\/categories?post=92326"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.presos.org.es\/index.php\/wp-json\/wp\/v2\/tags?post=92326"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}