{"id":90148,"date":"2023-09-11T00:00:00","date_gmt":"2023-09-10T22:00:00","guid":{"rendered":"http:\/\/www.presos.org.es\/?p=90148"},"modified":"2023-09-03T09:47:26","modified_gmt":"2023-09-03T07:47:26","slug":"laminas-martillazo-yde-andersen-c-portinari-a-petruccelli-j-tsoumas-peliculas-sovieticas-el-traidor-1926-el-fantasma-que-nunca-vuelve-1930-la-maestra-rural-1947","status":"publish","type":"post","link":"http:\/\/www.presos.org.es\/index.php\/2023\/09\/11\/laminas-martillazo-yde-andersen-c-portinari-a-petruccelli-j-tsoumas-peliculas-sovieticas-el-traidor-1926-el-fantasma-que-nunca-vuelve-1930-la-maestra-rural-1947\/","title":{"rendered":"L\u00e1minas martillazo: Yde Andersen, C. Portinari, A. Petruccelli, J. Tsoumas \/ Pel\u00edculas sovi\u00e9ticas: \u00abEl traidor\u00bb, 1926. \u00abEl fantasma que nunca vuelve\u00bb, 1930. \u00abLa maestra rural\u00bb, 1947."},"content":{"rendered":"\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img decoding=\"async\" src=\"http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/09\/anderser.png\" alt=\"\" class=\"wp-image-90158\" width=\"450\" srcset=\"http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/09\/anderser.png 423w, http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/09\/anderser-300x228.png 300w\" sizes=\"(max-width: 423px) 100vw, 423px\" \/><figcaption class=\"wp-element-caption\">Proletarios en la f\u00e1brica.<\/figcaption><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color wp-block-paragraph\" style=\"font-size:clamp(16.834px, 1.052rem + ((1vw - 3.2px) * 1.007), 26px);\"><strong>L\u00e1minas y pel\u00edculas martillazos:<\/strong><\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#141288;font-size:clamp(15.747px, 0.984rem + ((1vw - 3.2px) * 0.907), 24px);\"><strong>L\u00e1minas:<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\" style=\"font-size:clamp(14.642px, 0.915rem + ((1vw - 3.2px) * 0.809), 22px);\"><strong>-Niels Yde Andersen (Dinamarca-EE.UU, 1888-1952)<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-medium-font-size wp-block-paragraph\"><strong>*Trabajadores en una f\u00e1brica de fundici\u00f3n.<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/09\/en-la-fabrica-1.jpg\" alt=\"\" class=\"wp-image-90155\" width=\"350\" height=\"499\" srcset=\"http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/09\/en-la-fabrica-1.jpg 700w, http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/09\/en-la-fabrica-1-210x300.jpg 210w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/><figcaption class=\"wp-element-caption\">Escena de trabajadores en una fundici\u00f3n.<\/figcaption><\/figure>\n\n\n\n<p class=\"has-black-color has-text-color has-medium-font-size wp-block-paragraph\"><strong>*Trabajadores en una f\u00e1brica a dos plantas.<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/09\/huelga.jpg\" alt=\"\" class=\"wp-image-90153\" width=\"350\" height=\"300\"\/><figcaption class=\"wp-element-caption\">Obreros en huelga. Sentados en las v\u00edas ante un tren.<\/figcaption><\/figure>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\" style=\"font-size:clamp(14.642px, 0.915rem + ((1vw - 3.2px) * 0.809), 22px);\"><strong>-Candido Portinari (Brasil 1903-1962)<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-medium-font-size wp-block-paragraph\"><strong>*\u201cHuelga\u201d.<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img decoding=\"async\" src=\"http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/09\/fundicion.jpg\" alt=\"\" class=\"wp-image-90154\" width=\"350\" srcset=\"http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/09\/fundicion.jpg 459w, http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/09\/fundicion-230x300.jpg 230w\" sizes=\"(max-width: 459px) 100vw, 459px\" \/><figcaption class=\"wp-element-caption\">Cuadro. Trabajador ante chorro de material fundido.<\/figcaption><\/figure>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\" style=\"font-size:clamp(14.642px, 0.915rem + ((1vw - 3.2px) * 0.809), 22px);\"><strong>-Antonio Petruccelli (EE.UU. 1907-1994)<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-medium-font-size wp-block-paragraph\"><strong>*Trabajando en una fundici\u00f3n.<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img decoding=\"async\" src=\"http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/09\/montando-casa.jpg\" alt=\"\" class=\"wp-image-90152\" width=\"350\"\/><figcaption class=\"wp-element-caption\">Trabajadores suben muebles a un domicilio.<\/figcaption><\/figure>\n\n\n\n<p class=\"has-black-color has-text-color has-medium-font-size wp-block-paragraph\"><strong>*Montando la casa.<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/09\/octu-1939.jpg\" alt=\"\" class=\"wp-image-90151\" width=\"350\" height=\"450\"\/><figcaption class=\"wp-element-caption\">Poderosos, reunidos en una mesa redonda.<\/figcaption><\/figure>\n\n\n\n<p class=\"has-black-color has-text-color has-medium-font-size wp-block-paragraph\"><strong>*Portada revista Fortune, octubre 1939.<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/09\/tsuoumas.png\" alt=\"\" class=\"wp-image-90149\" width=\"450\" height=\"281\" srcset=\"http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/09\/tsuoumas-480x300.png 480w, http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/09\/tsuoumas-640x400.png 640w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><figcaption class=\"wp-element-caption\">Vida en un puerto. La figura de Lenin ayuda a tirar de la cuerda.<\/figcaption><\/figure>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\" style=\"font-size:clamp(14.642px, 0.915rem + ((1vw - 3.2px) * 0.809), 22px);\"><strong>-Johannis Tsoumas (Grecia)<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-medium-font-size wp-block-paragraph\"><strong>*Trabajando, con Lenin.<\/strong><\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#0d0e74;font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.11), 15px);\"><strong>Recopilaci\u00f3n: Fuat Filizler.<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img decoding=\"async\" src=\"http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/09\/predatel.jpg\" alt=\"\" class=\"wp-image-90150\" width=\"350\" srcset=\"http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/09\/predatel.jpg 452w, http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/09\/predatel-212x300.jpg 212w\" sizes=\"(max-width: 452px) 100vw, 452px\" \/><figcaption class=\"wp-element-caption\">Cartel pel\u00edcula \u00abEl traidor\u00bb.<\/figcaption><\/figure>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#0e1089;font-size:clamp(15.747px, 0.984rem + ((1vw - 3.2px) * 0.907), 24px);\"><strong>Pel\u00edculas sovi\u00e9ticas:<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\" style=\"font-size:clamp(14.642px, 0.915rem + ((1vw - 3.2px) * 0.809), 22px);\"><strong>-El traidor. <em>Predatel<\/em><\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.11), 15px);\"><strong>Basada en la historia de Lev Nikulin, \u00abEl silencio del marinero\u00bb. La pel\u00edcula se desarrolla en una ciudad costera en los a\u00f1os anteriores a la revoluci\u00f3n. Sobre la lucha clandestina de los bolcheviques con la polic\u00eda secreta zarista.<\/strong><\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#871d1d;font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.11), 15px);\"><strong>1926. 22 minutos.<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\" style=\"font-size:12px\"><strong>&#8211;<a href=\"https:\/\/www.youtube.com\/watch?v=eHJM-LCsC4w\">https:\/\/www.youtube.com\/watch?v=eHJM-LCsC4w<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\" style=\"font-size:12px\"><strong>-https:\/\/1fichier.com\/?ep71s7qiqd. Contrase\u00f1a: RVJ<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img decoding=\"async\" src=\"http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/09\/el-fantasma.png\" alt=\"\" class=\"wp-image-90156\" width=\"350\" srcset=\"http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/09\/el-fantasma.png 588w, http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/09\/el-fantasma-190x300.png 190w\" sizes=\"(max-width: 588px) 100vw, 588px\" \/><figcaption class=\"wp-element-caption\">Cartel \u00abEl fantasma que nunca vuelve\u00bb.<\/figcaption><\/figure>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\" style=\"font-size:clamp(14.642px, 0.915rem + ((1vw - 3.2px) * 0.809), 22px);\"><strong>-El fantasma que nunca vuelve.<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\"><strong>La pel\u00edcula sigue al protagonista Jos\u00e9 Real en su viaje desde la prisi\u00f3n. Real fue condenado a cadena perpetua por intentar sindicalizar un campo petrol\u00edfero sudamericano e intentar una huelga. Despu\u00e9s de cumplir 10 a\u00f1os de su condena, se le permite un d\u00eda para ver a su familia. Fiel a su car\u00e1cter revolucionario, Jos\u00e9 Real decide utilizar ese d\u00eda de permiso para organizar un movimiento de trabajadores contra las compa\u00f1\u00edas petrol\u00edferas que han invadido su pa\u00eds y se han asentado en \u00e9l.<\/strong><\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#921313;font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.11), 15px);\"><strong>1930. 67 minutos.<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\" style=\"font-size:12px\"><strong>-https:\/\/mega.nz\/file\/4eQ3xR6Q#F-ypqUpmBHZfpMd4Gpcc2NOSOq_JwqLDaFGdI_k-Q9g Contrase\u00f1a: AR1929<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\" style=\"font-size:12px\"><strong>&#8211;<a href=\"https:\/\/www.rebeldemule.org\/foro\/filmoteca-ficcion\/tema8919.html\">https:\/\/www.rebeldemule.org\/foro\/filmoteca-ficcion\/tema8919.html<\/a><\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/09\/CartelesLa-maestra.jpeg\" alt=\"\" class=\"wp-image-90157\" width=\"450\" height=\"302\"\/><figcaption class=\"wp-element-caption\">Carteles de la pel\u00edcula \u00abLa maestra rural\u00bb.<\/figcaption><\/figure>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\" style=\"font-size:clamp(14.642px, 0.915rem + ((1vw - 3.2px) * 0.809), 22px);\"><strong>-La maestra rural<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\"><strong>Varenka es una joven profesora moscovita que acepta dar clases en una aldea siberiana abandonada. A lo largo de su vida se mostrar\u00e1n acontecimientos hist\u00f3ricos como el estallido de la PGM, la ca\u00edda del zarismo, la revoluci\u00f3n sovi\u00e9tica y la invasi\u00f3n nazi. La primera parte del film es maravillosa, nos muestra de una forma educativa como la joven maestra Varenka consigue con esfuerzo ganarse el cari\u00f1o de sus alumnos. La segunda parte, con la llegada del comunismo, Donskoy nos descubre a una Varenka apasionada por la llegada de la igualdad social de clases. Todo el film servido bajo una calidad art\u00edstica asombrosa. Aparte del car\u00e1cter pol\u00edtico del film hay que reconocer que la direcci\u00f3n de Mark Donskoy es exquisita.<\/strong><\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#741d1d;font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.11), 15px);\"><strong>1947. 98 minutos.<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\" style=\"font-size:12px\"><strong>&#8211;<a href=\"https:\/\/www.youtube.com\/watch?v=asuHwWca2qg\">https:\/\/www.youtube.com\/watch?v=asuHwWca2qg<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#0d256f;font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.11), 15px);\"><strong>Recopilaci\u00f3n: A. Garc\u00eda.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>L\u00e1minas y pel\u00edculas martillazos: L\u00e1minas: -Niels Yde Andersen (Dinamarca-EE.UU, 1888-1952) *Trabajadores en una f\u00e1brica de fundici\u00f3n. *Trabajadores en una f\u00e1brica a dos plantas. -Candido Portinari (Brasil 1903-1962) *\u201cHuelga\u201d. -Antonio Petruccelli &#8230;<\/p>\n","protected":false},"author":5,"featured_media":90159,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[92],"tags":[130,131,126,181],"class_list":["post-90148","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura","tag-antifascismo","tag-difusion","tag-lucha-obrera","tag-urss"],"_links":{"self":[{"href":"http:\/\/www.presos.org.es\/index.php\/wp-json\/wp\/v2\/posts\/90148","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.presos.org.es\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.presos.org.es\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.presos.org.es\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"http:\/\/www.presos.org.es\/index.php\/wp-json\/wp\/v2\/comments?post=90148"}],"version-history":[{"count":2,"href":"http:\/\/www.presos.org.es\/index.php\/wp-json\/wp\/v2\/posts\/90148\/revisions"}],"predecessor-version":[{"id":90161,"href":"http:\/\/www.presos.org.es\/index.php\/wp-json\/wp\/v2\/posts\/90148\/revisions\/90161"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.presos.org.es\/index.php\/wp-json\/wp\/v2\/media\/90159"}],"wp:attachment":[{"href":"http:\/\/www.presos.org.es\/index.php\/wp-json\/wp\/v2\/media?parent=90148"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.presos.org.es\/index.php\/wp-json\/wp\/v2\/categories?post=90148"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.presos.org.es\/index.php\/wp-json\/wp\/v2\/tags?post=90148"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}