{"id":80430,"date":"2023-03-09T00:00:00","date_gmt":"2023-03-08T23:00:00","guid":{"rendered":"http:\/\/www.presos.org.es\/?p=80430"},"modified":"2023-03-03T09:36:18","modified_gmt":"2023-03-03T08:36:18","slug":"bertolt-brecht-los-siete-pecados-capitales-del-pequeno-burgues-descarga","status":"publish","type":"post","link":"http:\/\/www.presos.org.es\/index.php\/2023\/03\/09\/bertolt-brecht-los-siete-pecados-capitales-del-pequeno-burgues-descarga\/","title":{"rendered":"Bertolt Brecht: \u00abLos siete pecados capitales del peque\u00f1o burgu\u00e9s\u00bb. Descarga."},"content":{"rendered":"\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.presos.org.es\/wp-content\/uploads\/2023\/01\/portada.png\" alt=\"\" class=\"wp-image-80431\" width=\"330\" height=\"470\"\/><figcaption class=\"wp-element-caption\">Portada obra de Bertolt Brecht.<\/figcaption><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color wp-block-paragraph\" style=\"font-size:clamp(16.834px, 1.052rem + ((1vw - 3.2px) * 1.007), 26px);\"><strong>Biblioteca popular:<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\" style=\"font-size:clamp(15.747px, 0.984rem + ((1vw - 3.2px) * 0.907), 24px);\"><strong>-Los siete pecados capitales del peque\u00f1o burgu\u00e9s.<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\" style=\"font-size:clamp(15.197px, 0.95rem + ((1vw - 3.2px) * 0.857), 23px);\"><strong>Bertolt Brecht.<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\"><strong>El ballet <em>Los siete pecados<\/em>, texto de Bertolt Brecht y m\u00fasica de Kurt Weill, escrito en 1933, se estrena en Par\u00eds el 7 de junio del mismo a\u00f1o en el Teatro de los Campos El\u00edseos, con<\/strong> <strong>coreograf\u00eda de Georges Balanchine y decorados de Caspar Neher.<\/strong><\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-black-color has-text-color wp-block-paragraph\"><strong>I. PEREZA<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\"><strong>En el ejercicio de la injusticia.<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\"><strong>II. ORGULLO<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\"><strong>De preservar lo mejor de s\u00ed mismo.<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\"><strong>III. IRA<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\"><strong>Contra la groser\u00eda.<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\"><strong>IV. GULA<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\"><strong>(Comer en raz\u00f3n del hambre los productos de su trabajo).<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\"><strong>V. LUJURIA<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\"><strong>(El amor desinteresado).<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\"><strong>VI. AVARICIA<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\"><strong>En la pr\u00e1ctica del hurto y del enga\u00f1o.<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\"><strong>VII. ENVIDIA<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\"><strong>De la gente feliz.<\/strong><\/p>\n<\/blockquote>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\"><strong>El ballet expone el viaje por los EU de dos hermanas sure\u00f1as que salen a ganar dinero para construir una peque\u00f1a casa. Las dos se llaman Ana. Una es el empresario, otra, la artista; una -Ana I- la que vende, otra -Ana II- la mercanc\u00eda.<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\"><strong>En la escena hay un tablerito donde est\u00e1 trazado el itinerario del recorrido por siete ciudades; enfrente, Ana I con una batuta en la mano. En otra parte, la escena representa el mercado, distinto cada vez, donde Ana I manda a venderse a su hermana. Al final de cada cuadro, que ense\u00f1a el modo de evitar cada uno de los siete pecados capitales, Ana II se acerca a Ana I, entonces aparece la<\/strong> <strong>familia de las dos Ana, en Luisiana: el padre, la madre y dos hijos, mientras a su espalda crece la peque\u00f1a casa, a medida que las dos Ana renuncian a los siete pecados capitales.<\/strong><\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#8d2121;font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.33), 17px);\"><strong>Descarga:<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\" style=\"font-size:11px\"><strong>&#8211;<a href=\"https:\/\/drive.google.com\/file\/d\/1n5TKoK0Vbc3TuVv_kNaMT1rhg2DlHSgu\/view\">https:\/\/drive.google.com\/file\/d\/1n5TKoK0Vbc3TuVv_kNaMT1rhg2DlHSgu\/view<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Biblioteca popular: -Los siete pecados capitales del peque\u00f1o burgu\u00e9s. Bertolt Brecht. El ballet Los siete pecados, texto de Bertolt Brecht y m\u00fasica de Kurt Weill, escrito en 1933, se estrena &#8230;<\/p>\n","protected":false},"author":5,"featured_media":80432,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[94],"tags":[131,318,126],"class_list":["post-80430","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-biblioteca-popular","tag-difusion","tag-libro","tag-lucha-obrera"],"_links":{"self":[{"href":"http:\/\/www.presos.org.es\/index.php\/wp-json\/wp\/v2\/posts\/80430","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.presos.org.es\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.presos.org.es\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.presos.org.es\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"http:\/\/www.presos.org.es\/index.php\/wp-json\/wp\/v2\/comments?post=80430"}],"version-history":[{"count":2,"href":"http:\/\/www.presos.org.es\/index.php\/wp-json\/wp\/v2\/posts\/80430\/revisions"}],"predecessor-version":[{"id":80434,"href":"http:\/\/www.presos.org.es\/index.php\/wp-json\/wp\/v2\/posts\/80430\/revisions\/80434"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.presos.org.es\/index.php\/wp-json\/wp\/v2\/media\/80432"}],"wp:attachment":[{"href":"http:\/\/www.presos.org.es\/index.php\/wp-json\/wp\/v2\/media?parent=80430"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.presos.org.es\/index.php\/wp-json\/wp\/v2\/categories?post=80430"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.presos.org.es\/index.php\/wp-json\/wp\/v2\/tags?post=80430"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}